New Article: “On the Very Idea of a (Synthetic) Conceptual Scheme” — Out now in Philosophy and Digitality

My article “On the Very Idea of a (Synthetic) Conceptual Scheme” has just been published in the open access journal Philosophy & Digitality, in a special issue on “LLMs and the Patterns of Human Language Use.”

The title of the piece plays on, and the article draws substantially on, Donald Davidson’s “On the Very Idea of a Conceptual Scheme.” By way of this classic text, I engage closely with M. Beatrice Fazi’s provocative article “The Computational Search for Unity: Synthesis in Generative AI.” I agree with Fazi that we have to take the outputs of LLMs as genuine language (contra the “stochastic parrots” crew), and that the best way to account for their operations is in terms of a kind of philosophical “synthesis.” But whereas Fazi sees LLMs synthesizing their own individual “worlds within,” I argue that the genuineness of their linguistic outputs (i.e. the fact that they produce real language) instead suggests that they refer to a world shared in common with human language-users (which commonality should not, however, detract from their alterity or alienness to our embodied Lebensform, or form of life).

In the same issue of Philosophy & Digitality, Fazi has a response to my article, titled “A Transcendental Philosophy of Large Language Models,” which I also highly recommend, and which brings our differences—as well as agreements—into sharper relief. I have the feeling this is the beginning of a longer exchange!

I’d like to thank Sybille Krämer and Christoph Durt for inviting my participation in the special issue and shepherding it toward publication–and for soliciting Fazi’s response. And thanks, above all, to Beatrice Fazi for producing such thought-provoking work in the philosophy of AI and computation!

M. Beatrice Fazi at Digital Aesthetics Workshop, February 28!

Poster by Hank Gerba

Please join us for our next event with M. Beatrice Fazi on Tuesday February 28 @ 5-7pm Pacific time. We’ll meet in the Stanford Humanities Center, as usual. Zoom Registration, if not able to attend IRL: https://tinyurl.com/39tsjc62

The topic of Beatrice’s talk is “On Digital Theory.”

Abstract:

What is digital theory? In this talk, M. Beatrice Fazi will advance and discuss two parallel propositions that aim to answer that question: first, that digital theory is a theory that investigates the digital as such and, second, that it is a theory that is digital insofar as it discretizes via abstraction. Fazi will argue that digital theory should offer a systematic and systematizing study of the digital in and of itself. In other words, it should investigate what the digital is, and that investigation should identify the distinctive ontological determinations and specificities of the digital. This is not the only scope of a theoretical approach to the digital, but it constitutes a central moment for digital theory, a moment that defines digital theory through the search for the definition of the digital itself. Fazi will also consider how, if we wish to understand what digital theory is, we must address the characteristics of theoretical analysis, which can be done only by reflecting on what thinking is in the first place. Definitions of the digital, definitions of thought, and definitions of theory all meet at a key conceptual juncture. To explain this, Fazi will discuss how to theorize is to engage in abstracting and that both are processes of discretization. The talk will conclude by considering whether the digital could be understood as a mode of thought as well as a mode of representing thought. 

Bio:

M. Beatrice Fazi is Reader in Digital Humanities in the School of Media, Arts and Humanities at the University of Sussex, United Kingdom. Her primary areas of expertise are the philosophy of computation, the philosophy of technology and the emerging field of media philosophy. Her research focuses on the ontologies and epistemologies produced by contemporary technoscience, particularly in relation to issues in artificial intelligence and computation and to their impact on culture and society. She has published extensively on the limits and potentialities of the computational method, on digital aesthetics and on the automation of thought. Her monograph Contingent Computation: Abstraction, Experience, and Indeterminacy in Computational Aesthetics was published by Rowman & Littlefield International in 2018.