EXTRA/PHENOMENALITIES opened last Thursday, January 22, and will be up until March 13, 2026 at the Stanford Art Gallery. Here are some impressions, along with my remarks, from the opening (courtesy of Anja Ulfeldt).
Tag: exhibition
EXTRA/PHENOMENALITIES — Stanford Art Gallery — Opening Jan. 22, 2026

EXTRA/PHENOMENALITIES
January 22–March 13, 2026
Stanford Art Gallery
OPENING RECEPTION: Thursday, January 22, 5-7pm
What are the limits of experience? This exhibition explores forms of appearance that press against the edges of perception—phenomena that are felt only indirectly, sensed as traces, intensities, or disturbances rather than as stable objects. “Extra/phenomenality” refers to this ambiguous zone of surplus and slippage: where aspects of the world exceed or elude our usual modes of noticing, while still shaping how we see, feel, and understand.
Such excess takes many forms. It can be found in natural processes whose scales outrun human attention; in cultural and spiritual traditions that treat appearance as layered or illusory; in psychological or bodily states that strain the coherence of conscious experience. It also takes shape in today’s technical environments—where images, signals, and decisions circulate through systems that operate faster than we can perceive. New modes of appearance are at stake, but also new zones of non-appearance—gaps, blind spots, and operations that remain perceptually inaccessible. In all of these cases, the limits of experience are stretched and reconfigured.
The artists gathered here engage this terrain of extension and attenuation. Some work with subtle shifts of color, rhythm, or material to draw attention to thresholds where perception begins to blur. Others stage encounters with forms that flicker between visibility and invisibility, inviting viewers to sense what hovers at experience’s margins. Still others explore how contemporary computational systems generate patterns that enter our lives without ever presenting themselves directly.
Taken together, the works invite reflection on how the phenomenal world is never given all at once, but is continually inflected by forces that lie just beyond phenomenality itself. EXTRA/PHENOMENALITIES asks viewers to slow down, to look again, and to inhabit the unstable relation between what appears and what exceeds appearing—an aesthetic space where the subtle, the oblique, and the barely perceptible can take on new significance.
PARTICIPATING ARTISTS:
Morehshin Allahyari, Mark Amerika, Will Luers, & Chad Mossholder, Brett Amory, Rebecca Baron + Douglas Goodwin, Jon Bernson, Daniel Brickman, Paul DeMarinis, Karin + Shane Denson, Ebti, Frank Floyd, Gabriel Harrison, DJ Meisner, Joshua Moreno, Carlo Nasisse, Miguel Novelo, Andy Rappaport, William Tremblay, Camille Utterback, and Kristen Wong
CURATED BY:
Brett Amory, Karin Denson, and Shane Denson
VISITOR INFORMATION:
Stanford Art Gallery is located at 419 Lasuen Mall, off Palm Drive. The gallery is open Monday–Friday, 12–5pm (except on opening day, Jan. 22), and will be closed Presidents’ Day (Monday, Feb. 16). Visitor parking is available in designated areas and payment is managed through ParkMobile (free after 4pm, except by the Oval). Alternatively, take the Caltrain to Palo Alto Transit Center and hop on the free Stanford Marguerite Shuttle. This exhibition is open to Stanford affiliates and the general public. Admission is free.
More info here: https://art.stanford.edu/events/extraphenomenalities
Pics from the Opening of Non/Phenomenalities (Phase 1), 120710 Gallery, July 26, 2025






























We had an awesome opening for Phase 1 of Non/phenomenalities at 120710 Gallery this past Saturday. Looking forward to the Phase 2 opening on August 16!!!
Beyond the Screen: Exhibition of Desktop Videos

Beyond the Screen is an exhibition of desktop videos made by students in my Fall 2023 course on “The Video Essay.” The show, featuring three collaboratively made videos, is up from January 22-February 2, 2024 in the McMurtry Building (home of the Department of Art & Art History) at Stanford University.
Featured are:
Escape, by Karla Aguilar, Eric Wang, and Roisin Willis (14:52)
Pixilated Mimicry, by Lauren Boles and Michael Hemker (15:10)
Crypto Crisis, by Sheryl Hsu and Nathaniel Begay (12:40)


SCREENTIME: An Exhibition of Desktop Videos

On display from January 6 to January 27, 2022 in Stanford’s McMurtry Building (home of the Department of Art & Art History) is SCREENTIME: An Exhibition of Desktop Videos.
The exhibition grows out of a collaboration between Stanford and Occidental College — between Shane Denson’s class “The Video Essay: Writing with Video about Media and Culture” and Allison de Fren’s “The Video Essay,” both of which were taught in Fall 2021.
Students in each class met online and worked through some of the more troubling aspects of online life, including online racism, radicalization, pornography, and politics. The resulting videos, all of which use the computer desktop as both a topic and a medium, reflect the troubled times of contemporary screentime, and the sonic cacophony in the exhibition space challenges viewers to come to terms with the ways that screens today compete for our attention.
Included in the exhibition are eleven remarkable videos:
I Love Kanye (2021) — D’Andre Jorge (sophomore, Stanford)
A Letter to My Younger Self, on the Dangers of the Internet (2021) — David Kolifrath (freshman, Occidental)
The Commercialization of Self Image (2021) — Ashton Berg (sophomore, Stanford)
Solace in Schadenfreude: r/HermanCainAward and Vaccine Misinformation (2021) — Tejas Narayanan (sophomore, Stanford)
A Brief Inquiry into Cultural Appropriation and Misogynoir Online (2021) — Micah Drigo (sophomore, Stanford)
Kids Content on YouTube (2021) — Finian Walsh (sophomore, Occidental)
Bots and Trolls and Hackers, Oh My! A Story of Russian Interference (2021) — Katherine Crandell (junior, Stanford)
Let’s Talk about Porn (2021) — Henry Liera (senior, Stanford)
Sustainable Brands and the Limits of “Radical Transparency” (2021) — Georgia Crawford (freshman, Occidental)
The Shallows of Hate (2021) — Ben Fischer (sophomore, Stanford)
Tiktok’s Devious Licks Trend (2021) — Zahir Choudhry (freshman, Occidental)

Scholars Select
There is a short article in today’s Stanford News about the Scholars Select exhibition that’s on right now until until April 14 at Green Library. The centerpiece of the article is this set of pictures by University Photographer Linda A. Cicero, who shot a selection of scholars and their objects. Each image links to the short statement that the faculty member prepared about their object. Take a look!
Videographic Frankenstein Lives On at the Library of Congress

The Videographic Frankenstein exhibition at Stanford came to a close today, but like any good monster its demise is only temporary… On November 8, 2018, the show will be resurrected in the form of an augmented reality pop-up exhibition at the Library of Congress in Washington, D.C., as part of an event called “Playtest: An Open House for Emerging Media in the Digital Humanities” organized by Tahir Hemphill.

Incidentally, the Library of Congress has just made a beautiful new restoration of Thomas Edison’s 1910 Frankenstein available here.
Check it out!
Videographic Frankenstein–Exhibition Sept 26-Oct 26, 2018 at Stanford



Let’s Make a Monster — Exhibition at Shriram Center for Bioengineering and Chemical Engineering

Works from the course “Let’s Make a Monster: Critical Making,” which I co-taught this quarter with my art practice colleague Paul DeMarinis, are currently on display in the Shriram Center for Bioengineering and Chemical Engineering at Stanford University. The show, which officially opened today, is up through Friday, June 8.
We are particularly excited to take this work across campus and show it in the context of a space devoted to cutting-edge engineering work, where we hope that it provokes thought and discussion about the transformations of technology, experience, and life itself taking place in Silicon Valley and elsewhere. Thanks especially to Prof. Drew Endy for his help in facilitating and making this show possible.
Here are just a few glimpses of the work on display.
Nora Wheat, Decode (2018)
Hieu Minh Pham, The Knot (2018)
Raphael Palefsky-Smith, Brick (2018) — more info here
David Zimmerman, Eigenromans I-III (2018)
Jennifer Xilo, Mirror for Our Upturned Palms (2018)
Jackie Langelier, Creepers (2018)
Post-Cinema — Video Essay Exhibition Opens Today

Post-Cinema: Videographic Explorations — an exhibition of video essays that I am curating at Stanford — opens today. The wall text (above) outlines the aims and objectives of the show. Here is a list of the 13 works included:
Post-Cinema: Theorizing 21st-Century Film (Book Trailer), 2016
Shane Denson
Video, 4:12The Beyoncé Image: Synesthetic Abilities of the Visual Album, 2017
Cleo Chung
Video, 17:07Iñárritu’s Films in a Conversation on Realism, Hyperrealism, Time-Image, and Movement-Image, 2017
Raquel Orendain Shrestha
Video, 4:00WTF IS THAT? The Pre- and Post-Cinematic Tendencies of PARANORMAL ACTIVITY, 2017
Allison de Fren and Brian Cantrell
Video, 10:12hijab.key, 2016
Shane Denson
Video, 2:46The Shared Universe Cinema, 2017
Will Ferrer
Video, 21:18Transformers: The Premake (a desktop documentary), 2014
Kevin B. Lee
Video, 25:03Slowness and Slow Cinema, 2017
Spencer Slovic
Video, 11:42FX’s LEGION and Post-Cinematic Television, 2017
Katie Adams
Video, 19:31Questioning the Human Machine in EX MACHINA, 2016
Allison de Fren
Video, 10:26New Forms of Racism in the Post-Cinematic Dispositif, 2017
Jace Alexander Casey
Video, 4:02A Closer Look at/into Depth Perception: Illusion, Impression, and Indexicality in Animation, 2017
Ouree Lee
Video, 20:14VHS Found Footage and the Material Horrors of Post-Cinema, 2015
Shane Denson
Video, 5:02































