SCREENTIME: An Exhibition of Desktop Videos

On display from January 6 to January 27, 2022 in Stanford’s McMurtry Building (home of the Department of Art & Art History) is SCREENTIME: An Exhibition of Desktop Videos.

The exhibition grows out of a collaboration between Stanford and Occidental College — between Shane Denson’s class “The Video Essay: Writing with Video about Media and Culture” and Allison de Fren’s “The Video Essay,” both of which were taught in Fall 2021.

Students in each class met online and worked through some of the more troubling aspects of online life, including online racism, radicalization, pornography, and politics. The resulting videos, all of which use the computer desktop as both a topic and a medium, reflect the troubled times of contemporary screentime, and the sonic cacophony in the exhibition space challenges viewers to come to terms with the ways that screens today compete for our attention.

Included in the exhibition are eleven remarkable videos:

I Love Kanye (2021) — D’Andre Jorge (sophomore, Stanford)

A Letter to My Younger Self, on the Dangers of the Internet (2021) — David Kolifrath (freshman, Occidental)

The Commercialization of Self Image (2021) — Ashton Berg (sophomore, Stanford)

Solace in Schadenfreude: r/HermanCainAward and Vaccine Misinformation (2021) — Tejas Narayanan (sophomore, Stanford)

A Brief Inquiry into Cultural Appropriation and Misogynoir Online (2021) — Micah Drigo (sophomore, Stanford)

Kids Content on YouTube (2021) — Finian Walsh (sophomore, Occidental)

Bots and Trolls and Hackers, Oh My! A Story of Russian Interference (2021) — Katherine Crandell (junior, Stanford)

Let’s Talk about Porn (2021) — Henry Liera (senior, Stanford)

Sustainable Brands and the Limits of “Radical Transparency” (2021) — Georgia Crawford (freshman, Occidental)

The Shallows of Hate (2021) — Ben Fischer (sophomore, Stanford)

Tiktok’s Devious Licks Trend (2021) — Zahir Choudhry (freshman, Occidental)

Dreams and Terrors of Desktop Documentary — Kevin B. Lee at Digital Aesthetics Workshop

Lee Poster

On Wednesday, February 27 (5-7pm in the Board Room of the Stanford Humanities Center), the Digital Aesthetics Workshop will be hosting Kevin B. Lee for an event titled “Dreams and Terrors of Desktop Documentary”:

Desktop documentary is a form that both presents and critically reflects on the world as experienced through computer screens and online interfaces. Treating the desktop as a medium for non-fiction storytelling proposes a unique set of epistemological dilemmas, affective dimensions and aesthetic discoveries. These factors inform Bottled Songs, a collaborative investigation by Kevin B. Lee and Chloé Galibert-Laîné of online terrorist media. Screening excerpts from the project, Lee will elaborate on the desktop documentary approach and its applications in exploring the underlying networks — both human and technological — informing online terrorism.

Kevin B. Lee is a US-born filmmaker and critic. He has produced over 360 video essays exploring film and media. His award-winning film Transformers: The Premake played in several festivals and was named one of the best documentaries of 2014 by Sight & Sound. He was Artist in Residence of the Harun Farocki Institut in Berlin. He is now Professor of Crossmedia Publishing at the Merz Akademie, Stuttgart. In 2018 he and Chloé Galibert-Laîné were grantees of the Sundance Institute Art of Nonfiction Fund and artists-in-residence of the European Media Art Platform (EMAP).