Video: Mads Thomsen, “Adjusting to the Age of Automated Writing” (Intermediations, Nov. 16, 2022)

Video from the inaugural event of INTERMEDIATIONS, a new workshop and lecture series foregrounding issues of intermediality and interdisciplinarity: Mads Rosendahl Thomsen, “Adjusting to the Age of Automated Writing” from November 16, 2022.

Abstract:

Writing was for at least six to seven thousand years a humanly hand-crafted product. Now we encounter several kinds of technologies that change the production of text profoundly. Chatbots, automated translation, grammar assistants, and large language models are examples of how text generation permeates writing from many angles. In this presentation, Professor Mads Thomsen sketches out key issues of the rapid developments in text generation and the interdisciplinary collaboration needed to understand these, before turning to how GPT-3 “reads” William Carlos Williams’ poem “The Red Wheelbarrow.”

Bio:

Mads Rosendahl Thomsen is Professor of Comparative Literature at Aarhus University, Denmark. He has published in the fields of literary historiography, modernist literature, world literature, digital humanities, and posthumanism. His most recently submitted publication is a short book on the concept and history of text.

He is the author of Mapping World Literature: International Canonization and Transnational Literatures (2008),The New Human in Literature: Posthuman Visions of Changes in Body, Mind and Society after 1900 (2013), a co-author with Stefan Helgesson ofLiterature and the World (2019), and the editor of fourteen books, includingWorld Literature: A Reader (2012), The Posthuman Condition: Ethics, Aesthetics and Politics of Biotechnological Challenges (2012),Danish Literature as World Literature (2017), Literature: An Introduction to Theory and Analysis (2017), and The Bloomsbury Handbook of Posthumanism (2020). 

A Discorrelated Summary of Discorrelated Images

This is deeply weird. Google Books has a summary of Discorrelated Images up, and it’s definitely not from the publisher (compare Duke University Press’s summary here). While Google’s summary is not exactly *wrong* in anything that it says, it is far from a summary of what my book is actually about — and some sentences can’t really be judged in terms of truth or accuracy, as they just don’t make sense. (For example, the second sentence: “While film theory is based on past film techniques that rely on human perception to relate frames across time, computer generated images use information to render images as moving themselves.” What does that mean?!? It’s grammatical, and it *sounds* vaguely like something I might have written, but as far as I can tell, it is meaningless.)

Moreover, from this text it sounds like the book is primarily about Michael Bay’s TRANSFORMERS with a detour through Denis Villeneuve’s BLADE RUNNER 2049. To be clear, I do write about both of these, but I also write about Guy Maddin’s algorithmic SEANCES, about Basma Alsharif’s HOME MOVIES GAZA, about desktop horror, drones, speculative execution, animation, about the relations between the phenomenology of perception in relation to microtemporal and subperceptual events, about videogames, codecs, streaming video, and the end of the world.

Anyway, who wrote this summary? Why do I think it was a machine?