On November 6, 2023 at 5:30 pm in the Margaret Jacks Hall Terrace Room (Building 460, Room 426), I will be presenting my new book Post-Cinematic Bodies (meson press, 2023), along with responses by Professor Scott Bukatman (Film & Media Studies, Stanford), and Dr. Annika Butler-Wall (Feminist, Gender & Sexuality Studies, Stanford MTL Ph.D. ’23).
Food and drinks will be provided. The first 40 attendees will receive a free copy of the book.
RSVPs are encouraged but not required. Please RSVP using the linked form by October 30th if you plan on attending.
About the book:
“How is human embodiment transformed in an age of algorithms? How do post-cinematic media technologies such as AI, VR, and robotics target and re-shape our bodies? Post-Cinematic Bodies grapples with these questions by attending both to mundane devices—such as smartphones, networked exercise machines, and smart watches and other wearables equipped with heartrate sensors—as well as to new media artworks that rework such equipment to reveal to us the ways that our fleshly existences are increasingly up for grabs. Through an equally philosophical and interpretive analysis, the book aims to develop a new aesthetics of embodied experience that is attuned to a new age of predictive technology and metabolic capitalism.”
Speaker and Respondents
Shane Denson is Associate Professor of Film and Media Studies in the Department of Art & Art History and, by Courtesy, of German Studies in the Division of Literatures, Cultures, and Languages and of Communication in Stanford’s Department of Communication. He is currently the Director of the PhD Program in Modern Thought and Literature, as well as Director of Graduate Studies in Art History. His research and teaching interests span a variety of media and historical periods, including phenomenological and media-philosophical approaches to film, digital media, comics, games, and serialized popular forms.
Scott Bukatman is a cultural theorist and Professor of Film and Media Studies at Stanford University. His research explores how such popular media as film, comics, and animation mediate between new technologies and human perceptual and bodily experience. His books include Terminal Identity: The Virtual Subject in Postmodern Science Fiction, one of the earliest book-length studies of cyberculture; a monograph on the film Blade Runner commissioned by the British Film Institute; and a collection of essays, Matters of Gravity: Special Effects and Supermen in the 20th Century. The Poetics of Slumberland: Animated Spirits and the Animating Spirit, celebrates play, plasmatic possibility, and the life of images in cartoons, comics, and cinema.
Dr. Annika Butler-Wall is a Lecturer in the Program in Feminist, Gender, and Sexuality Studies. She is an interdisciplinary scholar and teacher working at the intersections of gender studies, media studies, and science and technology studies (STS). Her current research project explores how digital platforms are restructuring forms of historically feminized labor by examining platforms such as TaskRabbit, Yelp, and LinkedIn Learning.
She holds a PhD in Modern Thought and Literature with a minor in Feminist, Gender, and Sexuality Studies from Stanford University and a BA in American Studies and Economics from Wesleyan University. Her research has been supported by the Clayman Institute for Gender Research and the Ric Weiland Graduate Research Fellowship among others.
This event is sponsored by The Program in Modern Thought & Literature and Intermediations.